Wednesday, September 6, 2017

Intentional Artist Communities, Part 2 — Creative Social Engagement at Holden Village

We, Deborah and Glenn Doering, DOEprojekts, participated in two intentional artist communities in July/August 2017.  The first, the Grünewald Guild in Plain, WA, is an artist community we have been involved in since the 1990s. (See our blog post of Sept 2, 2017.) The second is Holden Village in Chelan, Washington State. (Photos by Jim M. Wilkerson and Deborah/Glenn Doering)

Holden Village is in some ways, the "older sibling" of the Grünewald Guild. Through the Guild, we have met many people from Holden Village, but this was our first opportunity to participate. Holden is quite remote, with little access to internet or cell phone service — access is by boat (and then a short, steep, 9-switch-back bus ride) or by hiking over the mountains. Deer and other wildlife are abundant.

Artist-directors Peg Carlson-Hoffman and Chuck Hoffman, invited us — as DOEprojekts — to be Artists in Residence from July 23 to Aug 12, 2017, creating "artifacts" and "experiences" that engage all levels and ages at Holden Village.

Holden Village's mission includes themes such as Hospitality, Diversity, Ecology, Gifts/Imagination, Study, Rest, Place, Theology -- and Hilarity! Despite the heaviness and seriousness of the state of our world, at times it is best to take a break and, well, laugh!

Our experience at Holden was that of a very open and welcoming environment. The village is affiliated with the Evangelical Lutheran Church of America (ELCA). Yet, we met people of a variety of spiritual traditions, as well as people of "no faith." An active LGBTQ+ community is present. There was a diversity of races and cultures in the village, and the community will continue to grow in diversity in the future. Many of the study groups and lecture sessions concerned current racial tensions in the USA, "white privilege," and paths to greater equity between the "haves" and the "have nots."  Village staff members facilitated the discussion of difficult and controversial cultural topics.

Our DOEprojekts' artistic work prior to coming to Holden Village included designing a "Coreforms Quilt." We designed the quilt with 4 letters that can be rearranged to convey cultural concerns: C-A-R-E,  R-A-C-E, and A-C-R-E (land, ecology). In addition to the letters, the quilt design features our DOEprojekts' "Hybr" and "Hybrdeux" forms, often visually associated with "winged seeds" and "musical notes" — but these images are open to many interpretations, as are the Coreforms.

Our Coreforms (zero, one, hyphen, tilde, period) are also featured prominently in the design of custom printed fabric and and appliqué. Holden community member Trudy Arnold, an experienced artist and quilt maker, collaborated on the design and production. Trudy directed the community participation which included countless hours of hand-stitching during the time that she and we were Artists in Residence. 

In addition to working on the hand-stitching with Trudy and others, DOEprojekts installed their "Migrations" stencils in the dining hall. These Coreform stencils had been a part of the "Migrations" installation at the Sheen Center in NYC (see our blog posts earlier this year). The stencils prompted many conversations about our socially-engaged art, and the cultural keyword "migrations."

DOEprojekts also worked with Holden Village teenagers to create a "land art" installation using Coreforms and other archetypal forms that Peg and Chuck use in their art workshops. These forms include the circle, square, triangle, equilateral cross, and spiral. 

DOEprojekts presented their work in various study sessions during their time at Holden -- and we were also assigned to the "Dish Team" once each week! 
Holden has a long tradition of community and social engagement, reaching back to the "culture wars" of the 1960s and 70s. Ecological care for the village, a former copper mining town, continues through the present, with many systems in place, including an ongoing "remediation" of the land.
If you would like to explore visiting Holden Village, begin by reading their website:  We would be very happy to tell you more about the positive experiences we had as Artists in Residence at Holden! Contact us at

Intentional Artist Community in New York City

While we were working in intentional communities in the Pacific Northwest USA, there were two artists working in our micro "live-work space" apartment in Midtown Manhattan. This was our first "Manhattan Micro Apartment Artist Residency" and each artist that we selected lived and worked in our apartment for 30 days.

First, we were happy to host multimedia artist and Professor of Art at the University of Louisville, Ying Kit Chan. Professor Chan's work may be seen on his website,

Second, we were pleased to host Tyrone Layne, international painter currently based in New Zealand. Tyrone sent us a photo of the painting he worked on in our apartment. More of his work may be seen at

The end of the summer of 2017 draws near. We have now returned to NYC. We are more committed than ever to creating "intentional community" wherever we find ourselves. We will endeavor to use what we have learned in these intentional communities to contribute to a more just, open, accepting, and creative society.
And, as always, we look forward to hearing from you! 
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Saturday, September 2, 2017

Social Engagement — Teaching and Living with Others in Intentional Artists' Communities, Part 1

What is intentional community?  There is no singular definition, so it is difficult to generalize. But perhaps the common element among intentional communities is to manifest a focus, or concern, of the community, and then live and work to make that focus/concern a priority among the people living in the community. Intentional communities are usually bound by a certain location; the members generally live and work in close proximity to one another and share resources such as land, housing and food.

The focus of the Grünewald Guild in Plain, WA, is "Art + Faith + Community." The "Guild" was founded in 1980 by Richard and Liz Caemmerer. Rich Caemmerer (1934 - 2016) was the son of a Lutheran theologian, an art professor at Valparaiso University, a husband and father of 4 children, and a widely-recognized visual artist -- all these life experiences, and more, contributed to Richard's vision for an intentional artists community that eventually became the Grünewald Guild.
Deborah and Glenn, DOEprojekts, first visited the Grünewald Guild in the early 1990's, and both have lived and taught classes there at various times. This summer, Glenn taught basic jewelry design and Deborah taught a workshop on Coreforms. 

What we appreciate about the intentional arts community at the Guild is its members' welcoming and encouraging attitude in relationship to artistic creation, community formation, and spiritual exploration. All levels of "makers" are welcome, both the beginner and the advanced. People of any faith, or no faith, are welcome at the Guild. Persons of every race and sexual orientation are welcome. 

Each person is invited, and also expected, to make contributions to the community — these contributions range from keeping the Guild environment ecologically healthy, to teaching art classes/workshops, to facilitating hikes or meditations, as well as other community activities.

For more information about intentional community at the Grünewald Guild, click here.

Our next blog post will continue our exploration of intentional communities. Please keep in touch with us through email,, or through DOEprojekts' social media pages! Thank you for your interest!