Friday, February 22, 2019

Seeding, Seeing

"Seeding" means to plant seeds, and of course "seeing" means perception by means of our eyes. Our creative work in 2019 pursues and embraces both seeding and seeing.
We, Deborah and Glenn Doering, co-directors of DOEprojekts, participated in Sergey Jivetin's "Furrow Project," part of a performance at the SciArt Center and their Future of Food exhibition. The exhibition, curated by Marnie Benney, will continue until March 2, 2019. There is a curator's talk scheduled for Saturday, February 23, 2019, at 1pm.

Sergey engraved a DOEprojekts' "Hybr" form on a cherry seed. It was amazing and inspiring to watch his skill with his uniquely hand-crafted tools. To see more of Sergey Jivetin's work, view his website at

Additionally, we are pleased to announce that DOEprojekts has received a 2019 Creative Learning Grant from the Lower Manhattan Cultural Council for our class titled "Bauhaus and Beyond." We will teach the 12-weeks class September- December at the Lenox Hill Community Center in Midtown Manhattan. Below is a sketch using our Coreforms on rock forms that will be part of a technique that we will teach in the class. If you are not available to attend "Bauhaus and Beyond" in Manhattan, please consider our "Rock-Paper-Scissors" class this summer at the Grunewald Guild in Leavenworth, WA, July 14-18, 2019. And we will also be teaching our "Socially-engaging Stories and Symbols" workshop at Holden Village near Chelan, WA from July 1 -13, 2019.

As always, we thank all of you who have supported our journey to date. Let us know if you will be in the Manhattan area this summer — we will be working and traveling in the Pacific Northwest for part of the summer, but there is always time to meet with friends!
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Tuesday, December 11, 2018

DOEprojekts' TAOS • Prep for 2019

What is a TAOS? -- it's a "Tiny Apartment Open Studio!" 

We, Deborah and Glenn, DOEprojekts art collaboration, exhibited in our 280 square foot (26 square meter) live/work space to friends and artist colleagues in the early weeks of December 2018. 

We displayed projects that we have created or re-created during the past 2-1/2 years living in our "tiny apartment" in Midtown Manhattan.  A short video "walk through" of our TAOS can be seen on our DOEprojekts' Facebook Page.

We continued our form-explorations in urban-nature by creating Coreforms in white rocks and autumnal leaves in the courtyard attached to the c. 1880s apartment building in which our tiny apartment resides. The courtyard can be seen by standing on the fire escape of the back of the building OR, by visiting "Extraordinary" gift shop on the first floor of 247 E. 57th Street, NYC.

In the past few months, we have continued to explore various printmaking techniques, especially in relationship to our upcoming workshops titled "Bauhaus and Beyond." The Bauhaus' (1919-1933, Germany) teachers and students worked toward a universal language of form, a process that interests both of us as we continue to work and develop our Coreforms, which we consider a 21st century universal language. The Bauhaus became synonymous with a certain modern style -- minimalist, geometric, abstract -- but those associations do not tell the whole story. If you are interested in learning more, please email us about our workshops!

We were delighted to make the acquaintance of master printmaker Pepe Coronado, who directs Coronado Print Studio in East Harlem. Read more about the studio and their artists on their website. We look forward to seeing more of Pepe, his work, and his studio exhibitions in 2019.

Thank you to all of you who have supported our work in 2018! We wish you a creative and prosperous New Year and look forward to keeping in contact in 2019!
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Saturday, August 18, 2018

Upside Downside Outside Inside (Human) Nature

"Nature" is a cultural keyword. Nature births us and supports our outer and inner lives. What will humans become if we ignore, debase, and destroy Nature? 

In the effort to support and not sully the environment, DOEprojekts maintains contact with, and teaches at, intentional artist communities that work diligently to care for their natural surroundings (Grunewald Guild, Holden Village). Articles such as "Losing Earth: The Decade We Almost Stopped Climate Change" cause us to abruptly pause and consider carefully how our daily actions, long-term choices, and art-making, support or neglect our natural environment.

During our increasingly hot summer months, we have used more recycled and "found" materials in our art-making. If recycling is not an option for a specific project, we have created unique objects that can be "staged" over and over again, in various natural settings -- like the 3D-printed "Hybr Square" shown in the photo above. 

Our "Hybr" form is meant to be an object of positive change, of hope, of transformation, and of community. This summer, we have participated in community art-making activities outdoors, such as Studio Museum Harlem's workshop on Maren Hassinger in Marcus Garvey Park, Manhattan, part of Open Engagement, hosted by the Queens Museum. 

We have been using recycled and found objects in preparing for an upcoming educational series titled "Bauhaus and Beyond." As we research and experiment during our preliminary phase, we are continually reminded about the ingenuity and material-resourcefulness of the teachers and students of the Bauhaus (Germany, 1919-1933).

After WWI, Germany was economically and environmentally devastated, and yet that was the milieu in which the architect Walter Gropius, and teachers such as Paul Klee and Johannes Itten, began a new type of school, one where students studied how nature, design/art, and community could rebuild a war-torn landscape.

The Bauhaus was closed by the Nazis in 1933, and now 100 years later, is remembered mainly for its modern design aesthetic. Our "Bauhaus and Beyond" workshop series will emphasize the radical community and collaborative spirit that revitalized art and design in Germany at that time. We will explore Coreforms and Keywords, especially Nature, related to the Bauhaus and how its ideas continue to influence our environment today.

One last "environmental" note:  we were very happy to participate in the 125th Anniversary celebration of the Art Institute of Chicago (AIC), a Block Party that emphasized community art-making. The Modern Wing of the AIC is LEED (Leadership in Energy and Environmental Design) certified (silver level). How appropriate that art institutions like the AIC become leaders in creating buildings that support and not sully Nature.

DOEprojekts is planning a number of nature-sensitive art-making workshops in 2019, on both the east and west coasts of the US. If you would like to participate in, or host, an upcoming workshop, please email

Sunday, May 20, 2018

Marching in May — Night and Day

Deborah and Glenn Doering, co-directors of DOEprojekts recently participated in the "Unite in Light" twilight march across the Brooklyn Bridge, NYC, in late April 2018. The event was organized by a group of fellow socially-engaged artists, including Todd Drake and Wayne Moseley, and also peace activists with roots in Quakerism. Blinking LED signs, each stressing love, truth, peace, kindness and hope, were held high as they flashed and shone brightly. Other marchers sewed LED-illuminated messages on their clothing. 

The two-mile march was peaceful and peace-filled; even the police escort was amicable. Passers-by who encountered our march often smiled, clapped, shouted encouragement or even cheered. When we reached the Brooklyn Bridge, many tourists (and New Yorkers as well) asked to take selfies with the lighted signs and the marchers. The "Unite in Light" march concluded at the New York City Hall park grounds. 

Frieze Art Fair, May 4 - 6, provided another opportunity to march. "Suffragette City," a performance art work by activist-artist Lara Schnitger, called for participants to carry bells, banners, and other three-dimensional handmade art, in a procession through the fair, and also on the Randall Island, NYC, fairgrounds. 

Lara marched as well and periodically led marchers in chants such as "A Dress is Not a Yes" and "Don't Let the Boys Win." The performance work aimed to call attention to women's rights, feminist issues, and the #MeToo movement. 

After the performance, we were able to talk with Lara -- and take a photo -- before continuing to view the other works at Frieze. Several other artists, like Lara Schnitger, addressed social activism in their work -- and others provided opportunities for humorous interaction.

We are always inspired by the contemporary art and artists at Frieze Art Fair. Not long after our participation there, we "marched" ourselves to Roosevelt Island and began experimenting with our Coreforms integrated in the beautiful Asian Kwansan Cherry Tree branches that wave in the wind towards Manhattan, on the promenade of the East River. We feel this effort points us toward a new iteration of the DOEprojekts' LANDMARK series. 

We plan to update our Land and Environmental Art catalog -- please let us know if you would like to order a copy by emailing us at   

As always, we thank all of you who have supported our journey to date. Let us know if you will be in the Manhattan area this summer — we will be working and traveling for part of the summer, but there is always time to meet with friends!
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Thursday, March 29, 2018

"Symbols and Storytelling" Grant Award, Part 2

Deborah and Glenn Doering, co-directors of DOEprojekts, have completed 10 of 20 workshops supported by their 2018 teaching grant by SU-CASA, one of the funding divisions of the Lower Manhattan Cultural Council (LMCC). (Above: Collage work-in-progress by participating artist Amy Geller).

The grant funds 20 weeks of 2-hour workshops titled "Symbols and Storytelling." In the workshops we use our Coreforms and Keywords as points-of-departure and invitations-to-interact in order to explore participants' personal connections to contemporary cultural concepts.

In the "keyword" segment of the workshops, we read texts by Modern and Contemporary theorists and artists. We have examined essays on keywords such as Identity, Body, Youth/Age, Celebrity, Disability, Copy, Aesthetic, and Art. We also view and discuss contemporary works in museum exhibitions that use iconic symbols and forms. (Above: "Celebrate 40,000 Years of American Art," 1995, collagraph, by Jaune Quick-To-See Smith, photo by D. Doering at the Whitney Museum of American Art, NYC).

We look forward to the upcoming exhibition/project that will be the culmination of our workshops. 

We are pleased that our work is included in the Fossil Tales group exhibition at CENTRAL BOOKING Art Space in Lower Manhattan, curated by artist/director Maddy Rosenberg. (Above: "The Fossil Record is an Open Book, 1/0 and 0/-" installation.) CENTRAL BOOKING is now on and our work may be found and purchased through CENTRAL BOOKING's gallery portal.

In addition, a catalog of our DOEprojekts' "LANDMARKS" Land and Environmental Art has been published. If you would like a copy of "LANDMARKS, please email us at

Thank you for keeping in touch with our work through our blog -- we always enjoy hearing from you, and finding out about what is happening in your life and work. Please follow and "Like Us" on social media:

Friday, December 29, 2017

"Symbols and Storytelling" Grant Award in 2018, Part 1

Deborah and Glenn Doering, co-directors of DOEprojekts, are pleased to announce that we have been awarded a 2018 teaching grant by SU-CASA, one of the funding divisions of the Lower Manhattan Cultural Council (LMCC).

The grant will fund 20 weeks of 2-hour workshops titled "Symbols and Storytelling." In the workshops we will use our Coreforms and Keywords as points-of-departure and invitations-to-interact in order to explore participant's personal connections to contemporary cultural concepts.

LMCC has assigned us to the Lenox Hill Neighborhood House ( organization. We will be working with participants at the Saint Peters Church location in Midtown East. We are extremely excited to be a part of the socially-engaged missions of SU-CASA, LMCC and Lenox Hill! Our "Symbols and Storytelling" workshops will draw upon many global systems of symbol-making, dating back to the Stone Age and progressing through our contemporary symbols.

A Review of 2017
DOEprojekts had a very full year of artistic activity and social engagement in 2017:
• Artistically supported and participated in the 2017 Women's March in NYC
• "Migrations" solo exhibition at the Sheen Center, NoHo, NYC
• Teaching residency at the Grunewald Guild, Plain, WA 
• Teaching residency at Holden Village, Lake Chelan, WA 
• "HOME(less)" at Hebrew Union College Museum, NYC (on display until June 2018) 
CENTRAL BOOKING, group exhibition, December 2017
• Initiated "Manhattan Micro-Apartment Artist Residency" for two practicing artists, Professor Ying Kit Chan (Univ of Louisville) and Australian painter Tyrone Layne.
Beekman School art teaching (Deborah) and (Glenn)

Goals for 2018
• Support creative communities such as Lenox Hill Neighborhood House. These communities are often located in houses of worship, such as Saint Peters Church and the Metro Baptist Church
• Continue to develop "space resources" for artists and others who benefit from creative space 
• Work with new forms and build upon our Coreforms and Keywords, with an emphasis on interrogating growing economic inequalities between people and communities in the USA   

We thank all of you who have supported our journey to date and we wish you a healthy and happy 2018. Keep in touch! Let us know if you will be in the Manhattan area in 2018.
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Wednesday, September 6, 2017

Intentional Artist Communities, Part 2 — Creative Social Engagement at Holden Village

We, Deborah and Glenn Doering, DOEprojekts, participated in two intentional artist communities in July/August 2017.  The first, the Grünewald Guild in Plain, WA, is an artist community we have been involved in since the 1990s. (See our blog post of Sept 2, 2017.) The second is Holden Village in Chelan, Washington State. (Photos by Jim M. Wilkerson and Deborah/Glenn Doering)

Holden Village is in some ways, the "older sibling" of the Grünewald Guild. Through the Guild, we have met many people from Holden Village, but this was our first opportunity to participate. Holden is quite remote, with little access to internet or cell phone service — access is by boat (and then a short, steep, 9-switch-back bus ride) or by hiking over the mountains. Deer and other wildlife are abundant.

Artist-directors Peg Carlson-Hoffman and Chuck Hoffman, invited us — as DOEprojekts — to be Artists in Residence from July 23 to Aug 12, 2017, creating "artifacts" and "experiences" that engage all levels and ages at Holden Village.

Holden Village's mission includes themes such as Hospitality, Diversity, Ecology, Gifts/Imagination, Study, Rest, Place, Theology -- and Hilarity! Despite the heaviness and seriousness of the state of our world, at times it is best to take a break and, well, laugh!

Our experience at Holden was that of a very open and welcoming environment. The village is affiliated with the Evangelical Lutheran Church of America (ELCA). Yet, we met people of a variety of spiritual traditions, as well as people of "no faith." An active LGBTQ+ community is present. There was a diversity of races and cultures in the village, and the community will continue to grow in diversity in the future. Many of the study groups and lecture sessions concerned current racial tensions in the USA, "white privilege," and paths to greater equity between the "haves" and the "have nots."  Village staff members facilitated the discussion of difficult and controversial cultural topics.

Our DOEprojekts' artistic work prior to coming to Holden Village included designing a "Coreforms Quilt." We designed the quilt with 4 letters that can be rearranged to convey cultural concerns: C-A-R-E,  R-A-C-E, and A-C-R-E (land, ecology). In addition to the letters, the quilt design features our DOEprojekts' "Hybr" and "Hybrdeux" forms, often visually associated with "winged seeds" and "musical notes" — but these images are open to many interpretations, as are the Coreforms.

Our Coreforms (zero, one, hyphen, tilde, period) are also featured prominently in the design of custom printed fabric and and appliqué. Holden community member Trudy Arnold, an experienced artist and quilt maker, collaborated on the design and production. Trudy directed the community participation which included countless hours of hand-stitching during the time that she and we were Artists in Residence. 

In addition to working on the hand-stitching with Trudy and others, DOEprojekts installed their "Migrations" stencils in the dining hall. These Coreform stencils had been a part of the "Migrations" installation at the Sheen Center in NYC (see our blog posts earlier this year). The stencils prompted many conversations about our socially-engaged art, and the cultural keyword "migrations."

DOEprojekts also worked with Holden Village teenagers to create a "land art" installation using Coreforms and other archetypal forms that Peg and Chuck use in their art workshops. These forms include the circle, square, triangle, equilateral cross, and spiral. 

DOEprojekts presented their work in various study sessions during their time at Holden -- and we were also assigned to the "Dish Team" once each week! 
Holden has a long tradition of community and social engagement, reaching back to the "culture wars" of the 1960s and 70s. Ecological care for the village, a former copper mining town, continues through the present, with many systems in place, including an ongoing "remediation" of the land.
If you would like to explore visiting Holden Village, begin by reading their website:  We would be very happy to tell you more about the positive experiences we had as Artists in Residence at Holden! Contact us at

Intentional Artist Community in New York City

While we were working in intentional communities in the Pacific Northwest USA, there were two artists working in our micro "live-work space" apartment in Midtown Manhattan. This was our first "Manhattan Micro Apartment Artist Residency" and each artist that we selected lived and worked in our apartment for 30 days.

First, we were happy to host multimedia artist and Professor of Art at the University of Louisville, Ying Kit Chan. Professor Chan's work may be seen on his website,

Second, we were pleased to host Tyrone Layne, international painter currently based in New Zealand. Tyrone sent us a photo of the painting he worked on in our apartment. More of his work may be seen at

The end of the summer of 2017 draws near. We have now returned to NYC. We are more committed than ever to creating "intentional community" wherever we find ourselves. We will endeavor to use what we have learned in these intentional communities to contribute to a more just, open, accepting, and creative society.
And, as always, we look forward to hearing from you! 
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