At the NYC Armory Show, we were struck by a very large tapestry work titled "The Weather," (above right) by Canadian artist Shannon Bool. More than 10 feet long and 8 feet high, the wool tapestry is embellished by the artist's signature embroidered patterns. Bool's juxtaposition of grided clover quadrifoils with leafless trees asks viewers to consider what can we do to repair devastated landscapes on our distressed planet? The photographic image with the same quadrifoil pattern on the left is titled "Tsunami." Bool's repetitive forms speak to our own Coreforms.
Surprisingly, both the Armory Show and the Every Woman Biennial (EWB) offered opportunities for visitors to recline and reflect on issues such as climate change and art -- and so we did! Glenn takes a break on a large mattress work at the Armory Show (unfortunately, we didn't write down the artist's name, but we appreciated the visual and audio nature of the work). At the EWB, Deborah meditated under the large steel pyramid shape, following the artist's instructions (Angel Favorite is the artist) to meditate for at least 10 minutes. We remembered our own work titled "Rest" that was exhibited at the Chicago Cultural Center in 2009 (shortly before Glenn and Deborah began working together as DOEprojekts).
We took great pleasure in seeing the "Cultivate, Germinate" art booth at Frieze Fair on Randall's Island. Linda Goode Bryant was present to discuss her work about growing community gardens in various boroughs of Manhattan connected through her "Project EATS." For more info about Bryant and Project EATS see the article in ART News.
DOEprojekts continues to explore work about and in Nature. Our "Seasons" series, 2018-2019 (above), using our Coreforms, influenced our participation at Frieze Fair in a project conceptualized by artist Ray Johnson (1927-1995). Find out more about Ray Johnson and his New York Correspondence School.
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